Showing posts with label Broadway. Show all posts
Showing posts with label Broadway. Show all posts

Wednesday, January 19, 2011

From the Stage to the (Small) Screen

Regardless of if my appreciation for Glee ever peters out (which at this point seems unlikely) I’ll always be especially grateful to them for two things. One, was ensuring that after the untimely cancellation of Pushing Daisies allowing Kristin Chenoweth to return to the tube to show us just why she’s so brilliant – and the second is bringing Idina Menzel to the small screen in a role which managed to show that she was as good an actor as a singer. In its ideal form Glee is the sort of veritable playground for any Broadway actor and although guest stars don’t definitively improve the quality of the episodes – I’d love if this quintet of ladies from the Great White Way would get featured on Glee (I’ve featured some of them before in my original From Stage to Screen Post).

Jane Krakowski
 I suppose, in reality, there’s little chance of this coming to fruition since Krakowski is continuing her hilarious stint on 30 Rock where she continues to be the best-in-show. Still, the very basics of Glee seem perfect for Krakowski’s own brand of strange and sultry humour. With her very blonde hair she seems like a perfect candidate for some subplot involving Sam or Quinn, but she’s probably too old to be Quinn’s sister and unless Sam was a teenage birth she’s probably too young for that – although, who knows what they’d decide to do. I’ll always be grateful to Tina Fey and company for allowing Jane to actually perform somewhat regularly on the show, so it’s not like she’s being robbed of the chance to showcase her talent – but you can’t deny that her brand of crazy would work perfectly at McKinley High.
                               
Audra McDonald
As good an actor as Audra McDonald is, her voice is just sublime. It’s almost offensive that she’s never done any singing on any television show – Private Practice doesn’t deserve her most of the times (not that they deserve Kate Walsh, either – but I digress). I’m sort of stumped as to how Audra could fit into the fabric of Glee. If it weren’t for Cheyenne Jackson (who hasn’t even had a significant plot-point thus far) I’d think she’d be a great successor to Idina’s Shelby – original director of Vocal Adrenaline. What’s so weird about her is that you don’t think she’s a natural comedienne (she’s probably not) – but she’ll always surprise you in dramatic moments with some weird choices that always end up being humorous. I don’t know how, but I want her on Glee.

Donna Murphy
If Tangled was good for anything, other than the occasional vaguely entertaining tune from Alan Menken, it was reminding me how great Donna Murphy is. It’s probably because I associate her most with the very dour Passion that I forget that she’s a great comedienne (which manages to emerge even on an album recording of Wonderful Town). It’s that broad comedic talent of hers that would make her a perfect choice for a nemesis to Sue. Really, there’s no telling how they’d get her to sing but if there’s anyone that can take down Jane Lynch it’d be Murphy.

Bernadette Peters
Honestly, I’m sort of surprised she hasn’t turned up on Glee as yet. Before the idea of Carol Burnett (which turned into perfection) was pitched I’d contemplated the idea of Peters being Sue’s mother. Now, I’m sort of stumped but whatever role they do give her she’d be remarkable. With all these children in the club, at least one of them has to have a crazy – potentially boozy – grandmother. It’d be a stroke of genius if they get Peters to tag along on an episode with Chenoweth (I still think the two are reincarnations of the other). Perhaps the idea of Peters as April’s own boozy mother would be a sort of perfect idea. That I’d love to see.

Sara Ramirez

Two words: Santana’s sister. Sara Ramirez is brilliant, and she’s constantly doing good things with occasionally middling writing on Grey’s Anatomy (I’m still a vague fan of the show, truth be told). It’s watching the clips of her in Spamalot that make me realise just how vociferous and passionate she can be – they always make Callie a beat too sedate. Wouldn’t it be great seeing her play opposite Glee’s own resident crazy Latina? I can already imagine her – in typical Santana fashion – trying to seduce Will Schuster.
                              
Which of these ladies would you love most to appear for a guest stint on Glee?

Monday, November 29, 2010

Music Break [...with the Cast of Hairspray]

Hairspray is far from being among my favourite musicals on stage or on screen but it's difficult to deny the infectiousness of it all. It's one of those hundreds of films that make you think WTF when it comes to Oscars. Sure, it may not have been headed to any major categories but it didn't garner nods for costume design and art direction is beyond me.

This version is by the Original Broadway Cast. Notice Matthew Morrison (aka Mr. Schue) and his injudiciously curled hair. Sue's hair jokes are apt...

And the film incarnation...

I think the stage version trumps the film cast, but they're both quite good.

Wednesday, November 10, 2010

Today Should Have Been Brilliant...

...but it's been kind of awful. Still, it's Richard Burton’s birthday today and he’s only one of the most brilliant actors to grace the silver screen – womanising and alcoholism aside. I wouldn’t bother to do a retrospective on him, though in all his brilliance he does deserve one. Today’s been kind of awful, but George will not be kept back.

In other news, Alan Menken got a Star on the Hollywood Walk of Fame today. I’m not the biggest fan of Menken’s work, but who can deny the brilliance of this?



Not I.
          
Happy Wednesday night.
              
(PS. I want to make babies with Sherie Rene Scott. No kidding.)

Monday, November 1, 2010

Music Break [...with Stephen Sondheim and company]

Catherine Zeta-Jones recently won her Tony for playing Desiree Amfeldt in Sondheim’s “A Night Music” – I’m not her biggest fan, or anywhere near, but good for her. I found it slightly amusing, though, that when she left the show and theatre icon Bernadette Peters took over the role everyone was saying that CZJ should give back her Tony and let Bernadette claim it. I mean, did anyone think that Bernadette would NOT be better than Catherine? The woman’s all kinds of awesome (I wonder why she wasn't their original choice for the revival). Anyhow, here’s the iconic number from “A Little Night Music” through the ages – from the Original Broadway Cast Production, through some notable film actor all the way up to the recent revival. 

The Original Desiree, you may remember her from Mary Poppins

It's as if there's no Sondheim standard she hasn't covered...

This version is so touching, it's a shame she never actually played the role...

Wow. Seriously? Isn't she brilliant?

She performs it well, no doubt: and so lovely to look at...

It's not a performance, and the feedback is dreadful...but she's always amazing.
                 
Good morning everyone.

Monday, October 18, 2010

Music Break [...with Carla from Nine]

I can’t say there would be anything wrong with waking up to this on a Monday morning...
The Original Carla

The New Broadway Carla

The Movie Version of Carla
              
This has got to be one of the most misleadingly titled songs, “Call from the Vatican”? Sure. The visual quality for the two Broadway versions is poor, but still not completely unsalvageable. One thing is certain: phone sex will never be the same after Maury Yeston.
       
And, yeah, Jane Krakowski kind of tops them all for me. And you?

Monday, September 20, 2010

Glee Meme, Day 29: Idea for a Performance

“Hairography” lies somewhere in the bottom five of the Glee episodes (even though it features Dianna Agron having the most fun I’ve seen her have with “Papa Don’t Preach”) and the horrific mash-up of “Crazy In Love / Hair” is kind of crazy. Of course, that’s their intent, but it kind of sucks that with the wealth of brilliant music in “Hair” that they’ve never tapped into it. With its decidedly ensemble nature “Hair” would be the perfect show for them to sample, and it’s way cooler than other Showtunes they’ve covered, for example “Wicked” (which I like, but “Where Do I Go” > “Defying Gravity” – just saying).

And the Glee MEME is on its way out...

Monday, July 5, 2010

Music Break [...with Sweeney Todd and Mrs. Lovett]

Cut songs and all (where was the rest of "God That's Good") I do love Tim Burton's adaptation of Sondheim's Sweeney Todd: The Demon Barber of Fleet Street. A bit too short, but entertaining and well made. True to my weird nature my favourite moment in the film is one that is often forgotten. True, I've never actually seen a live incarnation of the piece but even though Depp and Bonham Carter were not the belters associated with the roles their soft voices paid off - especially in this scene. "My Friends" along with "Johanna" is the only love song in the musical, and it's writren so wonderfully - but it's not Sondheim's lyrics that carry it through. Depp is, of course, entranced by his tools but it is Helena with that look of longing, even obsession, on her face that commands the screen (er, where exactly was her Oscar nomination)...and I do love it when actors sing in counterpoint.

Sunday, June 20, 2010

Music Break […with Norma Dresmond]

I can’t say that I love Andrew Lloyd Webber – sure he has my name (or I his) but generally I’m wont to loathe the man. Still, he has his moments (name Evita and Sunset Boulevard for me). Wilder’s classic doesn’t seem like the usual film to spawn a Broadway production…but the music is lovely at times. Particularly this excellent number, "As If We Never Said Goodbye". It's a love song to the movies really, as Norma sings to the cardboard trees and painted seas of the studio she loves...
          
Elaine Paige is such a good singer, and here's what she does with it...
         
And Ms. Streisand puts her own stamp on the number. What a voice on that woman.
           
And here is the excellent Glenn Close in full costume singing her rendition (for the role which won her a third Tony Award).
                           
I wonder if they’ll ever get around to that screen incarnation of the musical...
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