Showing posts with label Robin Williams. Show all posts
Showing posts with label Robin Williams. Show all posts

Friday, July 2, 2010

Encore’s Greatest Voices: #50 - #41

The title may be a bit misleading, so I’ll explain. A few weeks ago Heather of Movie Mobsters wrapped up her excellent feature counting down the fifty screen villains she considered most dastardly. She did them in bouts of them until the final leg. The blogosphere is the only place where unoriginality isn’t reviled so I’m making my own list of 50, but not of villains and not exactly the best voices actors. I always wonder if voice-work alone will ever be able to constitute an Academy Award nomination…probably not. Herein I’ll be counting down the fifty voice performances that have impressed me the most over the years. Essentially it’s all animated (save for three live-action films, which we’ll get to). Now obviously this list is as subjective as can be, so I’ll depending on you to weigh in and tell me how off the beam some of my choices are.
                  
#50: Sacha Baron Cohen in Madagascar
as King Julian
I like to move it, move it.
I can’t confess any significant appreciation for Madagascar which is one of those implausibly successful children’s films that does little for me. In the midst of the most uninspired voice work and a turgid story Cohen’s insane King Julian was a delight. Cohen is known for his physical humour but he knows something about using his voice to full effect (see Pirelli) and his voice-work is easily the standout of the film.
              
#49: Joanne Woodward in The Age of Innocence
as The Narrator
It invariably happened, as everything happened in those days, in the same way.
Unlike many narrators, Joanne Woodward’s “character” is not a part of the film. She uses her voice only to give us little musings on New York society at the turn of the century. She is wry, she is affable and she is charming...really, she's almost a character herself.
              
#48: Woody Allen in Antz
as Z
 
Actually, I generally just make belittling comments and snicker behind death's back.
Woody Allen isn't noted for his voice and Antz is one of those animated films that has become easily forgotten. Still, Allen's dubious protagonist who (surprise, surprise) is just the slightest bit of a neurotic is an interesting change of pace for the icon.
                        
#47: Glenn Close in Tarzan
as Kala
And you will always be in my heart."
I'm not overly fond of Tarzan, it's really all been-there-done-that (and better), but Glenn Close's performance as the maternal Kala is a brilliant piece of voicework. Yes, she's given a number of overly sentimental lines (see above), but she makes them work and finds the sincerity in this slightly convoluted (albeit, diverting) film.
                           
#46: Ralph Fiennes in Wallace & Gromit in The Curse of the Were Rabbit
as Lord Victor Quartermaine
 
You can hop, but you can't hide!
When it comes to Ralph Fiennes talents, I remember him for his ability to act without using his voice. In that way he seems like an unlikely candidate for voicework, and I don't even like Wallace & Gromit. Yet, Fiennes carves a delightful stodgy villain (or should that be moulds) and provides the film with a good deal of laughs.
                 
#45: Eddie Murphy in Mulan
As Mushu
 
Hey! Dragon. *Dragon*, not lizard. I don't do that tongue thing.
Eddie Murphy’s brand of, usually, broad humour is hit-and-miss for me, but like so many great comedians his knack for using his voice proved invaluable to success of Mulan. Mulan is another Disney flick of the late nineties that’s become somewhat forgotten, but it was an entertaining (if inaccurate) romp through history. As Mishu Murphy was the perfect sidekick.
           
#44: Robin Williams in Happy Feet
As Ramón
Just a moment. I hear people wanting something... ME!
Really...what is there to be said? Williams has a talent for adept voicework and Ramón in Happy Feet is over the top, he is theatrical and he is everything that Williams can do, excellently. It's ridiculous, but it is still enticing. And those line readings!
                    
#43: Mike Myers in Shrek
as Shrek
Donkey, two things okay? Shut... up.
Shrek has reached a dismal end, and many forget the slice of delight it was back in 2001. I’ll admit, after the sequel, things headed down but Myers’ ogre was an amusing hero and Myers was able to bring the funny without going overboard. With an accent like that, it could not have been difficult but he kept Shrek realistic, but unbelievable at the same time.

#42:Eleanor Audley in Cinderella
as Lady Tremaine
 
Above all, self-control.
Incidentally Cinderella is often forgotten - part of that must be attributed to its mostly forgettable score. Still, within everything Audley gives a thoroughly chilling performance as the Step Mother. She's so scary because she's always so calm and her voice is just scary.
                 
#41: Peter Ustinov in Robin Hood
as King John (and King Richard)
Mother... Mother always did like Richard best.
Sure, this version is not Errol Flynn/Olivia de Havilland classic (or Men In Tights) but it's a diverting Disney romp and Ustinov's double role is a big part of that. Of course, it's the villianous John who gets those delicious one-liners and is responsible for showcasing Ustinov's talent. What is with villains?
              
There! The first round on the count to the top of memorable voice performances. What do you think of the first ten?

Thursday, January 28, 2010

Robin Williams, Jeff Bridges and The Holy Grail

The nineties had their share of comedies – from the usual stuff to the more sophisticated. Much of it was lost in the drivel, some deservedly so. However, one of my favourite comedies from the nineties is an oft forgotten piece, one of my favourites from 1991 and a film featuring the best work Robin Williams and possibly Jeff Bridges have done – as far as I’m concerned anyway – the title in question is The Fisher King. The Fisher King, is the story of a cynical former radio host  Jack[Bridges] who befriends a homeless man  - Parry -[Williams]. It turns out that an indiscretion by Jack has led to the unravelling of Paddy’s life. So at the urging of his girlfriend Anne [Mercedes Rhuel] he makes a move to help Parry find what he feels he needs – the Holy Grail.
                                    
The Fisher King is a comedy that veers dangerously close into the supernatural, but for all its humour it’s also vividly poignant. Robin Williams is known most for his comedic work, though he has excelled in the occasional drama. In The Fisher King he toes the line between both genres. Parry is a funny man, but he is also a broken man and Williams is able to show us the pain and hurt while still making us laugh. Jeff Bridges must play the straight man to Williams and he’s excellent as the cynical Jack I actually can’t say that either is better than the other. However, the highlight of the film comes with Mercedes Ruehl who earned an unlikely Oscar playing Bridges’ girlfriend. Like Whoopi Goldberg immediately before her and Marisa Tomei immediately after she is a huge source of comedy. Like Williams too she also needs to get dramatic and does it well. That is why her performance is a favourite of mine.
The Fisher King has unfortunately become forgotten. I don’t think that Terry Gilliam will ever be able to supersede the comedic yet emotional core of this. This is sort of the film that people see and it makes them feel happy without insulting their intelligence, the script is vibrant, the acting is excellent and it is a completely satisfying film. It’s an underrated gem of the nineties and at #66 on my list of favourites.
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