Showing posts with label ParksandRec. Show all posts
Showing posts with label ParksandRec. Show all posts

Saturday, May 21, 2011

TV Week in Review: “15th - 19th” (and leftovers from last week)

It was a week of finales, the on ABC, CBS and NBC I got packed with a slew of finales some were perfect closers to great seasons and others were surprisingly disappointing. But before, I’ve got two overdue reviews from the week before.
            
Cougar Town: “Damaged By Love”
Watching Ellie deal with Andy’s family – particularly his officious sister-in-law ends up being a left-field arc for a show that’s often so insular but one which is also quite hilarious. Moreover, it ends up leading to a brilliant moment of niceness between Laurie and Ellie. Their relationship is an interesting thing to watch, and it’s great seeing how much they’ve grown over the two seasons. Jules father is always good for a laugh, and his strip club antics were great to watch especially when it led to the softer moment at the end. Grayson’s arc was a bit silly, but in a good way. I have to give props to Josh Hopkins who I often used to think of as the show’s albatross. He’s been bringing the funny recently.
[B+]
         
Parks & Recreation: “Road Trip”
I missed the second of this, and it was a great one. Not as enjoyable as “The Fight” but it saw two important things happy. Ben and Leslie’s relationship finally got on track (a whole year after he arrived and I noticed their brilliant chemistry) and it’s fun watching Chris be the ultimate cockblocker, naturally oblivious to everything. The arc of Tom’s gameshow wasn’t as joyfully hilarious as his other ideas, but it’s great how the writers are treating the April/Andy marriage with sincerity and her showing up at Ann’s house was a nice touch.
[B+]
           
Desperate Housewives: “And Lots of Security...”
Desperate Housewives: “Come On Over for Dinner”
Well, the seventh season of Desperate Housewives wrapped goes out in a decidedly disappointing double feature. I couldn’t help but wonder why the second episode couldn’t have been tightened up and used as the next season’s premiere. The Felicia and Paul drama came to a whimpering close (not even a return of the great Cody Kasch) and so does Lynette and Tom’s marriage. The divorce plot seems tired but I don’t see it as especially terrible because that entire relationship has become awfully annoying to watch. The Gaby drama is vaguely random but not overly so and the rotating dinner is a nice touch. The latter episode is superior, but something still feels off although I do give props to Vanessa Williams for being the episode’s MVP working hard with the silly storylines she’s given. I keep praying that this show can rein itself in and find some structure. I don’t know, though...
[C/C+]
[B-]

United States of Tara: “Chicken ‘n’ Corn”
Well, things are definitely reaching to a head and it sure is turning into something chilling. Tara’s new alter is distressing, but it was the early scene with Chicken which was more upsetting. It was an episode of things being troubled, though, like the usually calm Max being derailed by that plain right or Kate being similarly ill at ease with Evan’s demon-son or Marshall feeling badly because of Max’s ostensible lack of support. Marshall’s really annoying me this season, go figure. Even Charmain’s attempts at a day out were capsized first by her worrying about Wheels and then her returning home to Hatteras in her house and a palpably upset Tara there.
[B+]
            
Nurse Jackie: “The Astonishing”
This episode was filled with some great small bits featuring things that you wouldn’t likely see. O’Hara looking at her bruised chest in the bathroom was deep and then there was that awkward lunch with her, Jackie and Zoey and then a somewhat random but surprisingly effective moment with his toys. Jackie was running on a single pill today and that’s probably why her mood was so sour. I feel badly for Gracie, but she’s such an annoying character that I wasn’t that invested in her saintly plight. Gloria and Thor bonding was a genius move as was the conversation between Kelly and Zoey which led to the latter reminiscing on her days of being jailbait. Wever is such a trooper.
[B+]

Glee: “Funeral”
I’ve stopped reading reviews of Glee because I end up almost always liking the hated episodes or hating the liked episodes and what not. “Funeral” was a lot more placid than you’d expect, and maybe it’s because I’ve been feeling a bit downer for the entire week (what with the rapture, and what not) but with its attention to the softer side of the show it ended up being less cloying to me and surprisingly moving. The arc of Sue’s sister dying on its own doesn’t move me as much but Lynch turns in a fine performance, and I did love the season’s opener when she and Will were “friends” so I’d love to see that return and it ties in nicely with Terri’s exit which saddens me. I’m a fan of Jessalyn, she’s had sinfully little do this season but she’s Morrison’s best acting partner and I will miss her when (if?) she leaves. The smaller relationship drama was a bit eclipsed, but Jonathan Groff brings the funny (without singing) and as harsh as his comments were every single one of them made sense if you put serious thought into it. Don’t care for the Finn/Quinn drama, I keep hoping Rachel and Finn don’t hook up and destroy the show – but it seems inevitable (them hooking up, not the show’s destruction. Ha.)
[B+/A-]
       
The Good Wife: “Closing Arguments”
I've come to love The Good Wife, I think my general antipathy towards Julianna Margulies (don't ask) made it difficult for me to initially love the show in its premiere season. Still, I've grown to love it and I was highly anxious to see the season's closer. The set-up is excellent. Fresh of their "break-up" Alicia and Kalinda must work together on judge murder which their client is charged for. Just as closing arguments for the case are given new evidence (in the form of a bloodied glove) ends up on Alicia's desk leading the team into a fresh new investigation. It sounds good, but the episode is something of a let-down, a fine episode - certainly, but it sort of fizzles in contrast to last week's episode. For me, The Good Wife is always at its best when it touches on the concepts of friendship - Kalinda/Alicia, Diane/Will, Eli/Peter or general politics and as a viewer the Will/Alicia dynamic is decidedly secondary for me. So, even though we get some suggestions of brilliance like Cary and Diane's cutesy banter or Eli and Alicia's pseudo face-off or Cary noticing Kalinda's coldness the fact that the end-all of all that could be is a lip-lock between Will and Alicia
[B/B+]

Modern Family: “See You Next Fall”
It’s a solidly fair episode and it’s great when the entire comes together – this time for Alex’s graduation. Hyland was great this episode helping Alex to see how terrible her original graduation speech would have been. The Claire/Phil arc wasn’t as precise as I’d hope but Bowen and Burrell (the MVPs on the show, for me right now) really can make anything work. Jay’s Botox seems a bit out of left-field but I love Mitchell’s reaction. The Cam/Mitchell arc was a bit silly, but Ferguson is hilarious when he comes as vaguely insensitive and the best part of the episode was him trying to convince everyone how Cam’s fall could have been funny.
[B/B+]

Cougar Town: Free Fallin'
This was an episode of classic greatness and even the potentially freaky arc of Grayson, Ellie, Tom and the chalk children didn’t end up hindering. On one hand Jules and Travis have concurrent bonding and sparring when he decides to drop out of college. This leads to a hilarious gag where Grayson pretends to be Travis and he and Jules end up making up. It is as weird as it sounds, even Ellie agrees. Then, Penny Can went national as Lou Diamond Philips became the face of the new and improved Penny Can and though in theory it’s Bobby’s arc it leads to a string of hilarious Laurie moments. It will be interesting see Bobby in an apartment now, and Travis on the boat.
[A-]

The Office: “Search Committee”
Krasinski, I always maintain, is a brilliant actor because he knows how to react to the madness around him and having him on the search committee responding to a host of madness and giving the camera his wan expressions was just great. This one hour didn’t top the Christmas episode – nothing this season did. But, in its placidity it was a fine close to the season. One of the surprising arcs which hit home was the potential for Phyllis and Erin to be mother and daughter. I’ve never been a fan of Phyllis but the arc ends up being funny and moving. Little things were excellently done, like Pam having to be the one to save the office from Creed or every bit character have their moment from Kelly and Ryan (I will always love those two) to Oscar and Darryl. It was perfectly orchestrated which serves as fine proof that as brilliant an addition Michael was the office is filled with a host of brilliant members. They can handle another season...but who will lead them? I hope it’s James Spader. He was brilliant!
[B+/A-]

Parks & Recreation: “The Bubble”
Parks and Recreation: “’Lil Sebastian”
A double episode closing for the greatest comedy on television at the moment seems about right. Ben meeting Leslie’s mother was all sorts of great. Scott is doing such great work on the show, I keep praying at least one cast members get Emmy love but damn they’re all worthy. That’s why the concept of them working like crazy on the funeral of ‘Lil Sebastian is both silly and fantastic. The cliff-hangers are striking but not exasperating because they’re so realistic. Leslie running for office is an excellent idea, which could be a problem with the Ben liaison. Tom leaving the office is logical, although I wonder how successful he would be. And then we get added pieces of greatness like Ron’s moustache burning off along with the return of Megan Mullally and Tammy I (whoever that is) and Chris mourning the loss of his youth which is too funny. Here’s an even better season four, but before that here’s praying for some Emmy love. Fingers crossed.
[A/A-]
[A-]

Grey’s Anatomy: “Unaccompanied Minor”
I swear I’ve been crazy emotional this week, it’s like all my aloofness has worn off over time and it’s all gone and that scene with the room waiting for that solitary minor made me really, really, really sad. It’s been a while since a one hour season finale and this one seemed especially un-seismic but still excellently solid. It’s a sensitive closing to a season that’s seen the show trying to find its way and by ending on softer note it works excellently. I’m worried about Alex, and I wish he and Meredith could have had it out. Hopefully next season doesn’t see him get crazy because I’d hate it if April got chief resident over me. But there’s bigger fish to fry, like Meredith’s suspension, Derek’s leaving and the baby’s arrival. All things handled sensitively and with great skill. But this week it’s Sandra Oh who delivers home. Her conflict makes sense to me, but I can see Owen’s point and it’s just all complicated for her – just as Meredith keeps stressing about her issues. It’s not black-and-white, it’s a murky deluge and I can’t wait to see what they do with the next season. I feel as if, finally, they’re back on track.
[A-]

Private Practice: “To Change the Things I Can”
Naomi’s departure wasn’t as big a thing as I’d hoped; I suppose having Audra leave quietly is the best thing for the show and Addison already has her issues of semi-depression. The practice’s move to a change is interesting, although I wonder if that’s going to be as big a change as they’re making it out to be. It’s weird, I don’t have much to say about the episode but it’s a good one. Violet and Pete’s drama is an interesting problem and Charlotte and Coop’s troubles at works makes for an interesting arc. The thing about this show, though, is that it’s so dedicated to being calm that sometimes it can come off seemed anaesthetised. This episode avoids that, hopefully season 5 continues on that.
[B+/A-]
             
Outstanding Writing
Grey’s Anatomy: A/A-
Parks & Recreation: A/A- (“The Bubble)
Cougar Town: B+/A-
Glee: B+/A-
The Office: B+/A-
            
Outstanding Performances
Amy Poehler in Parks & Recreation B+/A-
Sandra Oh in Grey’s Anatomy B+
Adam Scott in Parks & Recreation B+
Eve Best in Nurse Jackie B+ 
Jane Lynch in Glee B+
John Krasinski in The Office B+
John Corbett in United States of Tara B+
Nick Offerman in Parks & Recreation B+
Ty Burrell in Modern Family B+
                
Kate Walsh in Private Practice B+
Courtney Cox in Cougar Town B+
Toni Collette in United States of Tara B+
Busy Philipps in Cougar Town B+
Vanessa Williams in Desperate Housewives B+
Dan Byrd in Cougar Town B+
Christa Miller in Cougar Town B+
Rosemarie DeWitt in United States of Tara B+
         
What did you think of all these finales? Any stood out?

Saturday, May 14, 2011

TV Week in Review: 8th-12th May

It’s another great week of TV as most shows wind down to the end of their seasons. The stakes are high, so most of them are in top form. I caught up on the episodes of Cougar Town and Modern Family from last week but missed this week’s Cougar Town (I’ll rectify that next week) AND I missed the second episode of Parks & Rec this week (sadness) which means I'll have three episodes of the show's best comedy up for review next week. Okay, moving on....

Cougar Town: “Lonesome Sundown”
It’s so great to watch how good of an actor Dan Byrd has become on this show, and whether it was being oddly humorous opposite Grayson or getting emotional opposite Kirsten (and then Jules) Travis was essential to that episode. But that was just a subplot alongside Jules moving into Bobby’s boat for a weekend while Laurie’s idea for “The Council” led to a string of hilarious gags. The episode was marked by all the whimsy, like Ellie realising that her life is nothing with [the ability to taunt] Laurie and Grayson and Travis doing some much needed bonding.
[B+]

Modern Family: “Mothers’ Day”
It was an essentially solid episode, although none of the three subplots were particularly stellar. The Cam/Mitchell issue was probably the most sincere –
Cam’s “crises” is understandable but it’s also hilarious. I do love Jesse Tyler Ferguson, even if I wish he’d get stronger material on a weekly basis. I didn’t love Bowen this week as much as I usually do – but that was more to do with the storyline, although I love moments where Luke and Manny have conversations. It always leads to hilarity. And, of course, Jay and Phil is always a recipe for awkwardness – in a good way.
[B/B+]

Desperate Housewives: “Then I Really Got Scared”
The episode is a lot of random stuff. Apparently the Solis household is back to normal a horror flick which Gaby shows Juanita ends up precipitating some night terrors and then an impromptu camping trip in the yard. On the upside, the presence of Lee worked well this episode but the closing with the random creepy guy who’s apparently searching for someone was just strange. Then, there’s Bree and Chuck. It gives Vanessa Williams an opportunity to turn up and be amazing, and the potential relationship between Bree and Chuck does seem good but something is off. The Lynnette/Tom storyline has reached cringe worthy heights. I have to say, I think Lynette is being ridiculous and Susan heading to jail for Felicia’s crime is bordering on ridiculous. Hopefully the finale makes more sense.
[B-/C+]

United States of Tara: “The Electrifying & Magnanimous Return of Beaverlamp”
Finally, I’m feeling something from Keir Gilchrist this season. As funny as all the madness with Tara’s alters is it is nice when the realism hits and it’s good seeing Marshall deal with that even if he’s too emotionally stunted for words (and it’s great seeing Lionel back). The episode, generally, is rooted in serious as Dr. Hatteras seems to be heading out owing to a fatal relapse in a patient he treated. Tara was in a good mood this week, though and watching her do such good planning for the birthday only to be waylaid by the new alter at the end. The best thing about this show, right now, is how everything is developing so well which brings me to my favourite arc of the episode – the excellent Brie Larson’s Kate. Something as simple as a tentative relationship with a passenger becomes much more poignant than I expected. Larson is really doing impressive stuff this season.
[B+]

Nurse Jackie: “Orchids and Salami”
Holy devil, Jackie is devious. The episode opens with her being the no-nonsense, good mother that she is but the way it switches to her drug issue ending on a troubling only underscores the dichotomy between good nurse and mother Jackie and drug addict Jackie. Now that we’re in the second half of the season the direction that show is taken is more obvious, and it’s going to be interesting to see what happens when everything flares up. I’ll admit that I love the rapport between O’Hara and Eddie, Best hasn’t gotten the opportunity to do anything brilliant, yet this season. Merrit Wever and Peter Facinelli were in top form, though. Wever was responsible for the comedic beats, like working on her blog – typing at a snail’s pace – and reminiscing with Thor about Kelly. But, it’s Coop who continues to be my favourite character. It’s both sad and hilarious watching his downward “spiral”. I really wish Facinelli would get some Emmy love.
[B+/A-]

Glee: “Prom Queen”
Jesse St. James is back! I have to admit, I was way less interested in the prom results than seeing Jonathan Groff back at McKinley. Of the three males Rachel has worked opposite the chemistry with Jesse worked best with the show (actually, the Puck/Rachel dynamic was more enjoyable but I won’t go there) so it’s nice seeing them get another killer duet. The one random thing was Mercedes’ sadness about prom. It’s not that it’s unwarranted, but just felt random – like all of Mercedes’ arcs seem now that I think of it. Other than that, it’s generally good. Oddly the highlight of the episode was Artie’s number which was so simple with the guys playing the instruments, it reminded me of old times (Glee wise). The climax of Kurt being prom queen didn’t really land as strongly as they seemed to want it to – sometimes Colfer just comes off as shrill to me, which is a shame because his comedic scenes are brilliant (just those few moments in the Home Economics class were great). Essentially, though, it’s a good episode and that bathroom conversation with Quinn and Rachel was surprisingly well contructed.
[B+]

The Good Wife: “Getting Off”
The dual arcs intersect nicely on this one. On one hand the lovely Mamie Gummer is back, a thorn in Alicia’s side and the arc features a guest spot from Sarah Silverman as a woman who owns a site that helps spouses to cheat. The crime itself is rather standard, but the concept of a triad marriage sparks some thinking on Alicia’s part which is proof that she’s not as holy as she thinks. But, of course this episode was all about that Kalinda/Alicia showdown. That scene of Panjabi in the elevator tops everything of the entire season, and all with no words. I’m not feeling Alicia’s perspective in either the Jackie or the Kalinda case, but Margulies delivers a forceful performance. It’s difficult to look away when Panjabi is on screen though. I want a three hour finale.
[A/A-]

Modern Family: “Good Cop, Bad Dog”
This is a nice solid episode of the show featuring the Dunphy clan in top form. Burrell and Bowen are so good in their roles it’s easy to forget that they’re actors and watching them switch roles for this episode was fun. Watching Phil, especially, being the main parent was a good highlight for the episode. And, we get to see the rapport between Manny and Luke, which is always a plus for me. The Gloria/Jay arc was excellent, but it was nice in its way underscoring the Mothers’ Day episode about Jay’s warmer interior, although Vergara’s performance felt over earnest. The Cam/Mitchell was better, though. I love the fact that Mitchell can be selfish at times and make it so logical, and it’s an interesting arc because I’m sure that almost everyone has been there.
[B+]

Community: “A Few More Paintballs”
So, another seasons ends. It’s a fine end to an iffy season of this show. Okay, perhaps not an iffy season. I’ve already confessed that the first half of episodes this season didn’t thrill but the show turned it around in the second half and they end on a powerful note. Everything works, from the blink and miss it cameo from Busy Philipps and Dan Byrd (go Cougar Town) to the star wars’ references which never went over the top to the resurgent theme of City College vs Greendale. It’s going to be interesting what becomes of Pierce and they leave us questioning that without turning it into too much of a cliff-hanger.
[A-]

The Office: “Dwight K. Schrute, (Acting) Manager”
I don’t know about anyone else, but I think the show is doing well without Michael. Dwight achieves his dream this episode, and naturally it leads to goodness. I’m not a big fan of a Dwight, I’m all for Jim but whenever the conflict between the two rears its head I’m excited. Dwight is at his most ridiculous and Wilson turns in a fine performance, and it ties in so well with the other office drama of Andy/Erin/Gabe. Gabe is becoming unhinged (and disturbing); it’ll be interesting to see what becomes of that. I’m glad to see the show is remaining solid.
[B+]

Parks & Recreation: “The Fight”
Hate to be a broken record here, but yet again this show turns in a near flawless episode. Poehler’s writing is excellent and the thing I’m most happy about is the chance for Rashida Jones to get some good work in AND become a worker of the department which should give her more screen-time. Tom’s ideas are always insanely good, or goodly insane. Either way it makes for great plot-lines and the concept of Andy and April playing dress-up was hilarious. April especially was brilliant playing her widowed character. Is it wrong that that blink-and-miss it moment of chemistry between Ann and Ben made me happy? God, this show is just perfection.
[A/A-]

Grey’s Anatomy: “I Will Survive”
Grey’s did a fair job this season. Much better than their worse season (season six) but often just fair and this penultimate episode here shows that they haven’t lost it. It’s not a seismic episode, but it’s well contrasted while managing to move plots forwards and maintains the balance between light humour and comedy. Oh is dominant in the episode and she’s great. Does anyone else notice how this season has rarely given actors the chance to shine? I miss the days when almost every episode was worthy of Emmy submission for at least one actor. Alex’s relationship with Lucy ends, which doesn’t bother me – I never cared for her. That rejection, though, leading to a drunken Alex could be destructive to Meredith, what with her tampering with the clinical trial and all. It seems like the season finale is going to be something great.
[B+/A-]

Private Practice: “God Bless the Child”
Addison and Naomi make up, and it’s about time. This is Addison’s episode as she deals with a patient getting an abortion and Walsh delivers. That’s measured against the return of Dell’s daughter and her potential abuse by her foster parents. To be honest, Violet has been annoying me a bit this season but she’s strong in that final scene of hers and it’s nice to see her and Naomi have a moment. I’m not sure what the season’s end will bring, though.
[B/B+]

Standout Writing
The Good Wife A
Parks & Recreation A/A-
Community A-
Nurse Jackie B+/A-

Random Thoughts
  • Of all the random pairings on Nurse Jackie, I love the interactions between Thor and Coop.
  • Am I the Glee fan who doesn’t think Colfer is an excellent actor?
  • Seriously, the fact that Kalinda actually cried tears pierced my cold heart. But, now I want her to be an ice-queen to Alicia.
  • I wish the character being killed off was Finn. Sue me.
             
Standout Performances
Archie Panjabi in The Good Wife: A
Julianna Margulies in >The Good Wife A-
Amy Poehler in Parks & Recreation A-
Toni Collette in United States of Tara B+/A-
Rashida Jones in Parks & Recreation B+/A-
Sandra Oh in Grey’s Anatomy B+/A-
  
Brie Larson in United States of Tara B+
Merrit Wever in Nurse Jackie B+
Aubrey Plaza in Parks & Recreation B+
John Krasinski in The Office B+
Keir Gilchrist in United States of Tara B+
Edie Falco in Nurse Jackie B+
Peter Facinelli in Nurse Jackie
B+
Naya Rivera in Glee B+
Kate Walsh in Private Practice B+
Dan Byrd in Cougar Town B+
John Corbett in United States of Tara B+
                
Did you like Greendale’s send-off? Who did you vote for the prom queen? Did the Kalicia (Kalinda/Alicia) blow-up work for you? What did you watch this week?

Wednesday, January 6, 2010

Top TV Moments of 2009

I'm not always one to go into random celebration over blog related happenings. I'm not deluded enough to think that I've made that unmalleable mark on the world with this blog [as yet :)], but on Friday it would have been one year since I've been blogging here, and it makes me somewhat giddy. Sure, my early posts were not very good, but my first post was title Favourite TV Moments of 2008, so I'm going to to take a look at my favourite moments of 2009 in this post. Obviously. Hence, the name. I should warn you, this is mine and only my list. So it'll be strange.
              
#10: Parks & Recreation

Weird? I am a fan of Amy Poehler, she's arguably the most talented member that SNL had in the last few years and she's incredibly adept at acting. Last Spring when Parks & Recreation made it's debut it was something a clunker. The series was not gelling immediately, but when Season Two premiered in the Fall it was definitely heading places and it's turned into one of the best things on NBC sometimes even surpassing giants 30 Rock and The Office on occasion. Hopefully the writers keep up the good work and keep giving Amy something to do. And hopefully Emmy rewards her with a nod. But that probably won't happen. We'll see.
                  
#9: The Tony Awards & Marcia Gay Harden

I didn't watch the Tony's, but hearing that Ms. Harden had her Tony meaning that the Emmy is the only thing keeping her from being a triple crowner made me oddly happy. And the fact that Geoffrey Rush was also headed that way only increased the glee. Sure, it may not have been such a pivotal moment. But I never promised you logic in the list. Did I?
       
#8: Adam Lambert and American Idol

Come on. How could he not make the list? I've tuned out of Idol [hopefully forever] but Lambert was a crap-load of fun last season. It's undeniable that he is particularly talented with one of the best voices this show has scene. But what makes him list-worthy is that he was so damned fun to watch. And that duet with Alison Iraheta [who was another noteworthy person, that season] was off the chain.
       
#7: Kristin Chenoweth & The Cast of Glee

I'm glad that Lea Michele has grown vocally since Spring Awakening, it's nice seeing Lynch and Morisson doing good work...but the highlight of Glee was Chenoweth's guest appearance. She sang Carrie Underwood, she sang Liza Minellia and she sang Heart. Talk about variety. And she nailed it, of course. It's nice seeing the love for Glee, but it's even better seeing love for lovely Ms. Chenoweth.
     
Yes, Kristin makes another appearance, but it was such a deserved Emmy and with the cancelling of Pushing Daisies it was a giant f*** you to ABC. And then with the wins of Jessica Lange and Glenn Close it only made me happier.
       
The Office had some of its best moments in this one hour episode as we finally saw that guy and that girl get married. An episode of pure fun and funny. What more do I need?
          
#4: Michael Jackson's Memorial Service

The television sure was wrought with MJ news and the culmination was this service with all those performances. Fitting for the death of a king and all.
    
#3: Grey's Anatomy Season Finale

Univarn hates this show. So do many. I love it. I told you, there'd be truth...but no logic. The cliff-hanger of sorts at the end of Season 5 was something, but the entire episode was so controlled and soooooooooo riveting and their best finale since Season 2. It was awesome. Really. It was.
       
#2: Kanye/Taylor/Beyonce

It's not that I really liked the whole hoopla and West's ridiculous. If this had been done to someone else it would have been funny. You know if this happened to say, Amy Winehouse she would destroy him: and then it would be funny. It was only sad, because Taylor Swift is a child and Kanye West is inane. And power to Beyonce for her graceful turn and letting Taylor have her moment. Of course now, the world cannot escape her. Blame Kanye West.
      
#1: The Academy Awards: Espcially Hugh Jackman

I can't say I loved the Oscars - Slumdog Millionaire eviscerated any chance of that. But Kate Winslet and Penelope Cruz had some nice speeches. And that entire Best Actress presentation with the five winners vs the five nominees was sweet. But Hugh stole the show. The opening number and that tribute to the musicals was tremendously entertaining, in a somewhat spotty show he was the highlight.
               
So how crazy am I? What's missing? 
               
PS. I'm seeing The Lovely Bones and Up In the Air tonight.
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