TV Week in Review: 8th-12th May

It’s another great week of TV as most shows wind down to the end of their seasons. The stakes are high, so most of them are in top form. I caught up on the episodes of Cougar Town and Modern Family from last week but missed this week’s Cougar Town (I’ll rectify that next week) AND I missed the second episode of Parks & Rec this week (sadness) which means I'll have three episodes of the show's best comedy up for review next week. Okay, moving on....

Cougar Town: “Lonesome Sundown”
It’s so great to watch how good of an actor Dan Byrd has become on this show, and whether it was being oddly humorous opposite Grayson or getting emotional opposite Kirsten (and then Jules) Travis was essential to that episode. But that was just a subplot alongside Jules moving into Bobby’s boat for a weekend while Laurie’s idea for “The Council” led to a string of hilarious gags. The episode was marked by all the whimsy, like Ellie realising that her life is nothing with [the ability to taunt] Laurie and Grayson and Travis doing some much needed bonding.
[B+]

Modern Family: “Mothers’ Day”
It was an essentially solid episode, although none of the three subplots were particularly stellar. The Cam/Mitchell issue was probably the most sincere –
Cam’s “crises” is understandable but it’s also hilarious. I do love Jesse Tyler Ferguson, even if I wish he’d get stronger material on a weekly basis. I didn’t love Bowen this week as much as I usually do – but that was more to do with the storyline, although I love moments where Luke and Manny have conversations. It always leads to hilarity. And, of course, Jay and Phil is always a recipe for awkwardness – in a good way.
[B/B+]

Desperate Housewives: “Then I Really Got Scared”
The episode is a lot of random stuff. Apparently the Solis household is back to normal a horror flick which Gaby shows Juanita ends up precipitating some night terrors and then an impromptu camping trip in the yard. On the upside, the presence of Lee worked well this episode but the closing with the random creepy guy who’s apparently searching for someone was just strange. Then, there’s Bree and Chuck. It gives Vanessa Williams an opportunity to turn up and be amazing, and the potential relationship between Bree and Chuck does seem good but something is off. The Lynnette/Tom storyline has reached cringe worthy heights. I have to say, I think Lynette is being ridiculous and Susan heading to jail for Felicia’s crime is bordering on ridiculous. Hopefully the finale makes more sense.
[B-/C+]

United States of Tara: “The Electrifying & Magnanimous Return of Beaverlamp”
Finally, I’m feeling something from Keir Gilchrist this season. As funny as all the madness with Tara’s alters is it is nice when the realism hits and it’s good seeing Marshall deal with that even if he’s too emotionally stunted for words (and it’s great seeing Lionel back). The episode, generally, is rooted in serious as Dr. Hatteras seems to be heading out owing to a fatal relapse in a patient he treated. Tara was in a good mood this week, though and watching her do such good planning for the birthday only to be waylaid by the new alter at the end. The best thing about this show, right now, is how everything is developing so well which brings me to my favourite arc of the episode – the excellent Brie Larson’s Kate. Something as simple as a tentative relationship with a passenger becomes much more poignant than I expected. Larson is really doing impressive stuff this season.
[B+]

Nurse Jackie: “Orchids and Salami”
Holy devil, Jackie is devious. The episode opens with her being the no-nonsense, good mother that she is but the way it switches to her drug issue ending on a troubling only underscores the dichotomy between good nurse and mother Jackie and drug addict Jackie. Now that we’re in the second half of the season the direction that show is taken is more obvious, and it’s going to be interesting to see what happens when everything flares up. I’ll admit that I love the rapport between O’Hara and Eddie, Best hasn’t gotten the opportunity to do anything brilliant, yet this season. Merrit Wever and Peter Facinelli were in top form, though. Wever was responsible for the comedic beats, like working on her blog – typing at a snail’s pace – and reminiscing with Thor about Kelly. But, it’s Coop who continues to be my favourite character. It’s both sad and hilarious watching his downward “spiral”. I really wish Facinelli would get some Emmy love.
[B+/A-]

Glee: “Prom Queen”

Jesse St. James is back! I have to admit, I was way less interested in the prom results than seeing Jonathan Groff back at McKinley. Of the three males Rachel has worked opposite the chemistry with Jesse worked best with the show (actually, the Puck/Rachel dynamic was more enjoyable but I won’t go there) so it’s nice seeing them get another killer duet. The one random thing was Mercedes’ sadness about prom. It’s not that it’s unwarranted, but just felt random – like all of Mercedes’ arcs seem now that I think of it. Other than that, it’s generally good. Oddly the highlight of the episode was Artie’s number which was so simple with the guys playing the instruments, it reminded me of old times (Glee wise). The climax of Kurt being prom queen didn’t really land as strongly as they seemed to want it to – sometimes Colfer just comes off as shrill to me, which is a shame because his comedic scenes are brilliant (just those few moments in the Home Economics class were great). Essentially, though, it’s a good episode and that bathroom conversation with Quinn and Rachel was surprisingly well contructed.
[B+]

The Good Wife: “Getting Off”

The dual arcs intersect nicely on this one. On one hand the lovely Mamie Gummer is back, a thorn in Alicia’s side and the arc features a guest spot from Sarah Silverman as a woman who owns a site that helps spouses to cheat. The crime itself is rather standard, but the concept of a triad marriage sparks some thinking on Alicia’s part which is proof that she’s not as holy as she thinks. But, of course this episode was all about that Kalinda/Alicia showdown. That scene of Panjabi in the elevator tops everything of the entire season, and all with no words. I’m not feeling Alicia’s perspective in either the Jackie or the Kalinda case, but Margulies delivers a forceful performance. It’s difficult to look away when Panjabi is on screen though. I want a three hour finale.
[A/A-]

Modern Family: “Good Cop, Bad Dog”

This is a nice solid episode of the show featuring the Dunphy clan in top form. Burrell and Bowen are so good in their roles it’s easy to forget that they’re actors and watching them switch roles for this episode was fun. Watching Phil, especially, being the main parent was a good highlight for the episode. And, we get to see the rapport between Manny and Luke, which is always a plus for me. The Gloria/Jay arc was excellent, but it was nice in its way underscoring the Mothers’ Day episode about Jay’s warmer interior, although Vergara’s performance felt over earnest. The Cam/Mitchell was better, though. I love the fact that Mitchell can be selfish at times and make it so logical, and it’s an interesting arc because I’m sure that almost everyone has been there.
[B+]

Community: “A Few More Paintballs”

So, another seasons ends. It’s a fine end to an iffy season of this show. Okay, perhaps not an iffy season. I’ve already confessed that the first half of episodes this season didn’t thrill but the show turned it around in the second half and they end on a powerful note. Everything works, from the blink and miss it cameo from Busy Philipps and Dan Byrd (go Cougar Town) to the star wars’ references which never went over the top to the resurgent theme of City College vs Greendale. It’s going to be interesting what becomes of Pierce and they leave us questioning that without turning it into too much of a cliff-hanger.
[A-]

The Office: “Dwight K. Schrute, (Acting) Manager”

I don’t know about anyone else, but I think the show is doing well without Michael. Dwight achieves his dream this episode, and naturally it leads to goodness. I’m not a big fan of a Dwight, I’m all for Jim but whenever the conflict between the two rears its head I’m excited. Dwight is at his most ridiculous and Wilson turns in a fine performance, and it ties in so well with the other office drama of Andy/Erin/Gabe. Gabe is becoming unhinged (and disturbing); it’ll be interesting to see what becomes of that. I’m glad to see the show is remaining solid.
[B+]

Parks & Recreation: “The Fight”

Hate to be a broken record here, but yet again this show turns in a near flawless episode. Poehler’s writing is excellent and the thing I’m most happy about is the chance for Rashida Jones to get some good work in AND become a worker of the department which should give her more screen-time. Tom’s ideas are always insanely good, or goodly insane. Either way it makes for great plot-lines and the concept of Andy and April playing dress-up was hilarious. April especially was brilliant playing her widowed character. Is it wrong that that blink-and-miss it moment of chemistry between Ann and Ben made me happy? God, this show is just perfection.
[A/A-]

Grey’s Anatomy: “I Will Survive”

Grey’s did a fair job this season. Much better than their worse season (season six) but often just fair and this penultimate episode here shows that they haven’t lost it. It’s not a seismic episode, but it’s well contrasted while managing to move plots forwards and maintains the balance between light humour and comedy. Oh is dominant in the episode and she’s great. Does anyone else notice how this season has rarely given actors the chance to shine? I miss the days when almost every episode was worthy of Emmy submission for at least one actor. Alex’s relationship with Lucy ends, which doesn’t bother me – I never cared for her. That rejection, though, leading to a drunken Alex could be destructive to Meredith, what with her tampering with the clinical trial and all. It seems like the season finale is going to be something great.
[B+/A-]

Private Practice: “God Bless the Child”

Addison and Naomi make up, and it’s about time. This is Addison’s episode as she deals with a patient getting an abortion and Walsh delivers. That’s measured against the return of Dell’s daughter and her potential abuse by her foster parents. To be honest, Violet has been annoying me a bit this season but she’s strong in that final scene of hers and it’s nice to see her and Naomi have a moment. I’m not sure what the season’s end will bring, though.
[B/B+]

Standout Writing
The Good Wife A
Parks & Recreation A/A-
Community A-
Nurse Jackie B+/A-

Random Thoughts

• Of all the random pairings on Nurse Jackie, I love the interactions between Thor and Coop.
• Am I the Glee fan who doesn’t think Colfer is an excellent actor?
• Seriously, the fact that Kalinda actually cried tears pierced my cold heart. But, now I want her to be an ice-queen to Alicia.
• I wish the character being killed off was Finn. Sue me.

             
Standout Performances
Archie Panjabi in The Good Wife: A
Julianna Margulies in >The Good Wife A-
Amy Poehler in Parks & Recreation A-
Toni Collette in United States of Tara B+/A-
Rashida Jones in Parks & Recreation B+/A-
Sandra Oh in Grey’s Anatomy B+/A-
  
Brie Larson in United States of Tara B+
Merrit Wever in Nurse Jackie B+
Aubrey Plaza in Parks & Recreation B+
John Krasinski in The Office B+
Keir Gilchrist in United States of Tara B+
Edie Falco in Nurse Jackie B+
Peter Facinelli in Nurse Jackie B+
Naya Rivera in Glee B+
Kate Walsh in Private Practice B+
Dan Byrd in Cougar Town B+
John Corbett in United States of Tara B+
                 Did you like Greendale’s send-off? Who did you vote for the prom queen? Did the Kalicia (Kalinda/Alicia) blow-up work for you? What did you watch this week?

TV Week in Review: 1st-5th May

So, another fairly good week of TV. I missed ABC’s Wednesday lineup, so I’ll probably include that in next week’s slate when I get the chance.

Desperate Housewives: “I’ll Swallow Poison on Sunday”

It’s not as well constructed an episode as the last two were, but it’s a generally solid movement forward in terms of general plot. Lynnette continues to exasperate, and I’m both impressed that the writers are allowing a main character to be so wrong about something and annoyed that she continues to miss the same relationship with cues with Tom after seven seasons (and 12 years counting that 5 year jump). Susan’s liaison with Paul is thickened by Felicia’s attempts to poison him which are interesting but disturbing and not necessarily in a good way. Bree dominates the episode for me. Her imminent relationship with the detective Chuck is interesting to watch, especially measured against her issues with the Solis clan. It’s so silly of Carlos, but I suppose it’s best for Gaby to work on her marriage than her friendship with Bree. I figure some disaster will happen to make him rethink his decision, but I hope it doesn’t end up coming off too trite.

[B/B-]

United States of Tara: “The Road to Hell is Paved with Breast Intentions”

I have to say that I’m really disinterested in Marshall as a character this season, he’s always been something of a voyeur but I don’t know – it’s gotten worse, not a deal breaker for the show by any means, but just unfortunate. On the other hand, Kate as a flight attendant seems like a fine way to use Larson’s talents (really, isn’t she doing great work this season) and it’ll be interesting to see what – if anything – comes of her potential affiance with the scruffy haired passenger. Tara’s issues with her mother were necessary, on an emotional level, I suppose but they didn’t resound with me as much as I’d have hoped but it’s essentially a good episode. Can’t believe we’re half way through the season already, though – but a lot has happened.

[B/B+]

            

Nurse Jackie: “When the Saints Go”

It’s different on Nurse Jackie, though. The season has been going well, but I can’t really pinpoint any significant arc that has happened to put the rest of the episodes into perspective. Coop bonding with the trauma patient was an interesting arc. I suppose O’Hara and Jackie need to rekindle their friendship, but the latter is coming off even colder than usual in her personal life though the moment at the end with Gloria was nicely played. It was an episode of little things, and Zooey was great pondering of little things like her relationship. I do love the show, but it’s weird how continuity is not a significant portion of it. Not that it its non-contiguous, all the episodes just seem to exist in their own sphere.

[B/B+]

Glee: “Rumours”

So, on the upside Kristin Chenoweth is back and there’s no way she’s never not-awesome but on the downside she gets one song. Anarchy. So, rumours....it works with the dramatic beats much better than I expected even if I’m nonplussed about why Sam’s past is the one we’re delving into. Random much? The continuity works on bits like Will’s quest for stardom measured against his love for the Glee club. And, the smaller drama like the Finn/Rachel/Quinn mess (how I wish Finn and Rachel never become a couple again) is tempered enough to not be annoying. The second half does feel a bit disjointed in that a whole sloth of exposition is revealed making it seem like a lot’s been left on the cutting room floor (especially in relation to Will/April and Britney/Artie) and I wish they’d have cut the final song for tying up some lose ends. But, it works – for the most part. But how seriously random is it that Sam’s past is the one we delve into? Tina, Mercedes, Mike, Santana, Brittney and most importantly PUCK are all characters whose family life we have no idea about. Ugh, fail Ryan Murphy...

[B/B+]

The Good Wife: “In Sickness”

The explosions in relation to Alicia finding out about Peter and Leela (aka Kalinda) haven’t actually reached to the surface, so in a way this episode should be something of a filler, but it’s still one of the best of the season. There’s a potent tension pervading the entire one hour, and even though – for me – The Good Wife is all about the awesomeness that is Kalinda Sharma, and to a lesser degree Christine Lockhart it was nice watching Alicia ground an entire episode, almost devoid of supporting players. As always the main case is responsible for less than a third of the actual story, and kudos to Mary Beth Peil for turning a great performance as Jackie. It’s been a great television for female guest stars, but in too scenes she surprises me some emotion I’d never noticed in her before. The strongest scene was probably Alicia’s conversation with her children, Mackenzie Vega is often more than a little annoying but it works this episode around. It’s the personal moments like these which make this show more than just another run-of-the-mill procedural. Moreover, as petty as Peter’s accusations at the end of the episode were they are worthy of consideration. Alicia’s not the only victim here.

[A-]

Community: “A Fist-full of Paintballs”

I didn’t much care for the original paintball episode, but this one was brilliant. Perhaps, it was because there was a significant amount of plot infused with the hijinks of the shootout – I don’t know, I hate to conduct post-mortems. Still, it’s a good one. Pierce’s continual annoyance has made his place in the group questionable which acts as an episode for Annie to shine all the while backed up by the usual silliness that marks Greendale. I’m interested in seeing what the conclusion to it all will be, but even on its own this episode is a definite success.

[A-]

The Office: “The Inner Circle”

The first episode after Michael’s goodbye and it’s a good one. I’m still not sold on Deangelo as a character, but it’s so good watching the usual suspects work around him. I have to say I hate how little a role Krasinski has played this season (he was in my top 5 last year) so it’s nice that he gets an episode to do what he does best: make great facial expressions and balance that bathetic humour of his. The episode was filled with great bits, too. For example, how great is it seeing the power-couple, Ryan and Kelly, dealing with the madness of Deangelo. What does Ryan do at Dunder Mifflin? And then, Dwight too is so good working out his own issues with Deangelo. The women get a chance to do good stuff (I miss Angela’s insanity) and it ends in a wonderful gag. True, Deangelo is no Michael Scott but this show will always be about the ensemble, and they’re in top form. We can work around Ferrell.

[B+]

Parks & Recreation: “Eagleton”

Each time I think this show has realised its awesomeness and will just continue being brilliant it gets even more brilliant. Amy Poehler has been turning in some brilliant work this season, and now it’s getting difficult for me to decide which episode she’s best in. The episode has two arcs and they complement each other well because they’re both about how excellent Leslie is at her job. True, Parker Posey is hilarious and it’s interesting to think of a young Leslie and the conflict between Eagleton and Pawnee was excellent. But, it’s even more fun how well she knows Ron so that she can plan the perfect birthday for him complete with steak, breakfast food and The Bridge on the River Kwai. And, of course, there were random moments of greatness like Tom telling off Lindsay, and that garbae fight with Leslie and Lindsay and those great Leslie/Ann moments. Yup, this IS the best comedy on TV, perhaps the best show.

[A]

30 Rock: “Respawn”

I didn’t even realise that this was the season finale of the show until afterwards, and considering the goodness that went on last week it’s a bit of a letdown. It sort of encapsulates how volatile this season one, filled with goodness and then combated with some head scratchers. Little moments worked especially well – like Liz in court, or Jenna breaking into that wool song but overall it was a bit too limp and it’s a shame because the show still has the ability to wow. The episode was just too disjointed. The Kenneth/Jack issue fails terribly, even if I get the concept and it’s the same for Jenna’s story. They give her a significant, but it’s something of a doozy. I suppose 30 Rock wouldn’t be the same without these odd curveballs, but still...

[B-/C+]

Grey’s Anatomy: “White Wedding”

It’s nice to see that Grey’s is continuing its easy trend back to goodness. It’s a nice episode, free of thrills but a good way of giving Callie and Arizona (and Derek and Meredith) their first step into marriage. It’s free of thrills, but not necessarily of drama. It’s going to be interesting to see what becomes of Alex suspecting of Meredith’s tampering with the clinical trial and I love the ambiguity of it all in that her motives were selfless. Then, there’s Cristina and Teddy and both women have strong cases so it’s difficult to pick a side. Well, not really (Sandra Oh, all the way). I’m glad they didn’t go for the easy way out with Callie’s mother and it’s nice that Bailey was the one who made her see the light. AND Derek and Meredith plan on adopting one gorgeous African baby, so it’s all good. 

[B/B+]

Private Practice: “Something Old, Something New”

It’s a fairly good episode as Coop and Charlotte tie the knot, but it’s about more than that. Addison and Naomi are still at odds and Addison’s motives finally make sense now that I think of it – though I wish the two best friends would just kiss and make up already. I’m less interested about the Addison and Sam relationship, though. Violet’s issues are another thing I’m puzzled about. On one hand, it’s unfortunate but the always practical Naomi is not being overly conscientious by worrying about the practice. It’s nice that Coop and Charlotte decided to just screw it and elope but it feels sort of like a band aid over a big bullet hole. There’s a lot of issues the entire practice needs to sort out...

[B/B-]

Random Thoughts

• Wouldn’t it be a nice Emmy category be “best episode titles”?


• Can you believe that THIS is the first time Quinn/Finn actually sing a song. Once again, I wish the two would remain together. I have virtually no interest in their romantic affairs but they complement each other, vocally especially.


• So, who else thinks Alex gets Chief Resident?


• Is it wrong that I wish Pierce would leave the show?

Standout Writing

The Good Wife A-

Parks & Recreation A-

Community A-

Standout Performances

Amy Poehler in Parks & Recreation A/A-

Julianna Margulies in The Good Wife A-

Alison Brie in Community A-

John Krasinski in The Office B+

Nick Offerman in Parks & Recreation B+

          

Peter Facinelli in Nurse Jackie: B+

Marcia Cross in Desperate Housewives B/B+

Merrit Wever in Nurse Jackie B/B+
Sara Ramirez in Grey's Anatomy B/B+
Rosemarie Dewitt in United States of Tara: B+
Brie Larson in United States of Tara B/B+

         

What did you watch this week?

TV Week in Review: Sunday 24th – 28th April

Before long a number of these shows are going to be airing their finales, so they’re all doing their best to go out with a bang which means a generally good week of television.

Desperate Housewives: “The Lies Ill-Concealed”

Last week this show turned out a good episode, which was like a long drink of water after a drought. The show has been a downward spiral this season, and this week it manages to top last week’s good instalment with another episode featuring that excellent juxtaposition of humour and drama which once made this one of the best comedies on television. I’m all for character development, so the arcs all worked for me. Lynette’s was the poorest, but it was the source of much humour. The character herself seems to be learning things she should learned ages ago but it works in a great way, even if Vanessa Williams doesn’t get as much to do as I like. And although it starts out with some gruesome images, Susan and Paul’s affiance works much better than any arc she’s given this season. But neither matches the two great arcs surrounding Felicia and Karen and Gaby and Bree. On one side, Felicia reveals that she is still freakishly diabolical and poor Karen is the sap and on the flipside watching Bree and Gaby bond was such a nice touch and even though I understand Carlos’ decision I was cheering when Gaby went moved in – temporarily, I presume – with Bree definitely putting her marriage in jeopardy. If only the entire season had developed in such an admirable way.

[B+]

United States of Tara: “Dr Hatteras’ Magical Elixir”

The episode itself is probably the weakest of the season, thus far – but it’s hardly an unrewarding episode. Tara signs on to be her professor’s “lab-rat” which is something that I’m interested in, guest star Eddi Izzard in turning in some good work. Max is facing troubles at work, and though it’s a generally trite arc Corbett turns in some good work this episode. Larson doesn’t get as much to do as I’d hope, but her shenanigans on the plane were hilarious – I’m looking forward to what becomes of that. Charmaine and Tara finally reconcile in what ended up being a sweet closing. And, Marshall and Lionel call it quits which felt a bit odd – but I’m not sure why. I’m not sure if it’s because the relationship felt bogus, or because its end seems so flippant. I suspect that a tornado could brew from his latest liaison, but we’ll see, I suppose...

[B/B+]

Nurse Jackie: “Rat Falls”

I love Facinelli’s work on Nurse Jackie so – naturally – I was glad that he got a major this episode and I was even more overjoyed when that arc ended up being opposite Soozie Kurtz (as one of his moms). Facinelli is the only character who seems to be playing to a comedic audience (I still think Nurse Jackie is a drama in disguise) but his scenes manage to work on the comedic and dramatic level. In other news, rats infesting the hospital and happened upon Jackie’s pills. Will Jackie ever quit? Who knows? Eve Best too turned in fairly good work on this episode. As usual, Nurse Jackie never really overdoes it with the plot – but the episodes are almost always enjoyable.

[B+]

Glee: “Born This Way”

I feel a bit badly for Glee, it’s as if it can’t win and I don’t know if perhaps audiences were expecting a “revolutionary episode”, a notion I find hilarious – this is Glee,people. Kurt’s back at McKinley and though he comes via a turgid rendition of “As If We Never Said Goodbye” (which happens to be one of the few Andrew Lloyd Webber songs I actually like) it’s all good. Sort of. For me, the episode is saved less by the overreaching arc of self-love and more by a trio of fine performances from Jayma Mays, Lea Michele and Dianna Agron. Emma’s rant about being a “ginger” was a nice moment of silly humour that I’ve been missing. Jayma has been given so little to work with this season. Quinn and Rachel have the best number of the episode – it’s easily one of best mash-ups the show has done, which makes the episode lopsided because it comes so early in it. The revelation of Quinn’s ugly past is an awful plot-point which subverts the entire self-love theme by implicitly saying that being conventionally good-looking is bad and by being too heavy-handed with high-school clichés. The Santana/Karofsky madness was humorous, mostly. Issues abound, as per usual, but for me it’s a strong episode. And I love randomness like the band geeks having their instruments with them on the patio. During lunch hour. Complete with a piano. Madness.

[B+]

Cougar Town: “You're Gonna Get It”

True, it’s not an excellent episode but it’s solid comedic goodness, and Cougar Town is a fine show. Bobby hits the wrong ball at the golf tournament which leads to a hilarious bit of random humour courtesy of Van Holt. This arc was buttressed by Jules hilarious mistakes with the “Pledge of Allegiance” (the strongest plot-point) and Travis and Laurie teaming up to hoodwink Ellie and Grayson. The relationship between Travis and Laurie is a winner, but even more I love how Ellie and Grayson don’t care for each other but still manage to foster a weird rapport between them. There are some classic Cougar Town moments, most of them courtesy of Laurie and her twitter fansite and it’s all in all a nice half an hour of good times.

[B]

Community: “Applied Anthropology and Culinary Arts”

...and so Shirley’s baby is born. The episode feels a bit flat, and yet I think it’s a solid one. It’s probably because it’s missing on the most outrageous of things making for a softer, and oddly poignant episode. Fans will be pleased to know that Chang is NOT the father (said as Murray Povich). Jeong does a fair job this episode, but even when he’s good I still find him to be an exasperating performer. Troy and Abed’s handshake gaffe was hilarious, and I just love seeing Donald Glover get chances to show random bits of emotion. Britta and Jeff have a number of “moments” this episode, most of which end up working much better than I anticipated. I’m so glad to see that Community has managed to maintain my interest.

[B+]

The Office: “Goodbye Michael”

Well, Michael Scott has left the building and like the usual serious things that occur at Dunder Mifflin it all occurs with a level of poignancy that’s become a bit underestimated in the modern sitcom. It’s wonderful watching Carell interact with the entire cast as he gives each of them a goodbye present. Yet, even as the episode is marked with all this sadness it never loses site of those random moments that will always make this office the best one. The very sight of Pam walking into The King’s Speech while on a work assignment was just one of those brilliant little moments that worked much better than you’d think it would on paper. Or Dwight telling Michael that he doesn’t deserve to be “buttled”. It was such a nice touch having Jim figure out the ruse without breaking it, although I can’t say Deangelo Vickers is interesting, I’m a bit worried...

[B+/A-]

Parks & Recreation: “Jerry’s Painting”

And, as per usual, Parks & Recreation delivers another solid episode this week – and it’s a few minutes longer than usual, which I’m all for. Jerry’s controversial painting of a centaur with a striking resemblance to Leslie leads to controversy in the department. The painting acts as a nice impetus for a number of things. Ron doesn’t play a significant role this episode, but he does have an excellent speech about his interest in arc. Leslie’s a little down because she can’t date Ben (the sexual tension is killing me, hee) so she makes it her mission to save the painting. Meanwhile, Ben moves in to the married home of April and Andy which leads to some exceptional moments between the trio. April and Andy’s marriage is somehow leading to even more great moments on this show, which I didn’t even think was possible. And to think this is one of the season’s weaker episodes and it’s still head and shoulders above almost anything on television. As Andy would say, “Awesome-sauce”.

[A-]

30 Rock: “Everything Sunny All the Time Always”

Well, cheers to all in involved – this was a piece of brilliant. I’m not sure (I’m a bit partial to “Christmas Attack Zone”) but this might have been the best episode of the season and what’s so odd is that Jenna’s role was significantly muffled – although she delivered on that opening gag in Liz’s apartment with “The Secret”. It’s a trio of arcs. Tracy returns and is annoyed that the gang survived without him, leading to a ridiculous situation of trying to create the moment of a specific joke. The concept succeeds much better than I expected. Meanwhile Liz tries to take control of her life and Avery gets kidnapped in North Korea leading to a guest appearance from Condoleezza Rice which gives Alec Baldwin a chance to be brilliant.

[A/A-]

Grey’s Anatomy: “It's A Long Way Back”

It’s as if all that singing was a sort of therapeutic measure for Sara Ramirez to turn out a great performance. Perhaps not excellent, but it’s a season’s best for her as she deals with recovering herself and it’s an arc which functions as a fine backbone for a fine episode. It’s good watching the trio deal with the baby measured against some other interesting arc. Don’t we all wish Teddy and her non-husband would just bang and get over it? Yet, it’s not an annoying storyline. Things get even more interesting watching Meredith and Alex being unethichal. That scene with Devine and Pompeo where Adele thought she was Ellis was well delivered and it’s interesting watching Meredith break the rules to ensure she gets the best treatment. In the same way watching Alex almost blackmail a patient (excellent guest turn from Doris Roberts) for money to help some children in need. It toes the right line of ambiguous because it’s all in his race for chief resident and yet you get the feeling that Alex is truly just happy helping those children. I’m actually glad to have Grey’s back, it’s going well...

[B/B+]

Private Practice: “What We Have Here”

I sound like a broken record, but I’m really missing this show with Audra McDonald. It’s a fair delivery, but it continues a trend of well constructed, but trite episodes which the show has been riding on for some time now. Violet confronts, for the final time one can assume, her past with Kathy and moves forward with “allowing” Marshall to date the reviewer who hated her book. For some reason, Violet has lost that cadence that she first had and she’s become a bit of annoying character. Speaking of annoying, as much as I understand Addison’s dilemma the drama between her and Sam seems ridiculous. For now, Charlotte and Coop are the only sane ones. Strickland continues as MVP in Audra’s absence and they have some nice moments together moving towards their impending marriage.

[B-]

Randomness

• I loved Kurt’s utterance about Santana and her Lady Macbethian ways, her worth as a Latina Eve Harrington.
• Dare I say it: I don’t miss Paul Schneider from Parks & Recreation. I’m such a traitor.
• I’m not sure what to think of Deangelo’s terrible salesmanship and obvious eating issues. It just seems disturbing...
• How brilliant was the cake switch between Gaby and Bree?
• Did anyone try following @thelarmi?

Standout Writing

30 Rock A/A-

Parks & Recreation A-

The Office A-

    

Standout Performances

Adam Scott in Parks & Recreation: A-

Alec Baldwin in 30 Rock: A-

Amy Poehler in Parks & Recreation: B+/A-

Peter Facinelli in Nurse Jackie: B+/A-

     

Sara Ramirez in Grey’s Anatomy: B+

Chris Pratt in Parks & Recreation: B+

Jayma Mays in Glee: B+

Tina Fey in 30 Rock: B+

Busy Philipps in Cougar Town: B+

Eva Longoria in Desperate Housewives: B+

Lea Michele in Glee: B+

John Corbett in United States of Tara: B+

Dianna Agron in Glee: B+

         

How was your week in TV?

TV Week in Review: 10th - 14th April

So, there’s an interim of one week to wait until I Cougar Town finally returns – I can’t wait. It’s been a generally good week of TV, no I still haven’t tuned into see what The Borgias has to offer, and I still have that final instalment of Mildred Pierce to watch. But, what I’ve seen has been good enough.
   
Brothers & Sisters: “Olivia's Choice” “Never Say Never”
It seems like such a waste of time for there to be a dual episode of Brothers & Sisters when both episodes are so terribly trite. I don’t even care to actually speak about the plot. One focuses on Olivia’s adoption and the other on Nora’s mother’s death. And I’m not sure if its poor storylines or just a general lethargy to the entire thing but both episodes seem to have no gusto. I’m really worried about where this series is going. Between this and Desperate Housewives, ABC on Sunday is not must-see TV. But at least the latter manages to sidle out sporadic bursts of laughter every now and then.
[C+]
[C/C+]

Nurse Jackie: “Play Me”

It’s been a while since a comedic beat was my favourite part of this show, but seeing Zoey in the basement talking to the piano-playing “God” and then having O'Hara walk in on her and her boyfriend making out was excellent. There’s not all that much in the way of actual character development, but it’s all well done. From Jackie, perhaps, realising that she’s on a downward spiral, having Coop needing Thor and having him behave like a petulant child to get what he wants (Fachinelli is such a good actor). I’m still trying to see where this season plans on heading, I’m not seeing much in terms of actual direction. But, it’s not an issue thus far – it’s all very entertaining.
[B+/A-]

United States of Tara: “The Full Fuck You Finger”

Raise your hand if you think Frances Conroy is brilliant. I only recently re-watched the premier season of Six Feet Under and she’s such a welcome presence to this episode – even though United States of Tara is not really a guest oriented comedy like, for example, 30 Rock. There are a number of interesting things going on, and having Marshall wonder about Max stepping out on Tara for her craziness is interesting. Sometimes her alters do seem to be glorified so it’s nice to root that in reality. Watching Kate deal with the wrenches thrown in her plan to teach in Osaka was great, and Larson once again delivers a fine comedic performance. The relationship between Charmain and Tara remains dysfunctional and that ending worked well without being too much out of left-field.
[B+/A-]

Parenthood: “Slipping Away”

I will say I’m glad to see the return of Drew (even if it was only for a few moments), but otherwise I’m not alotgher positive about this episode of Parenthood. Adam has just become a terribly annoying parent as of late, and I’m not sure if it’s the writing or Krause preventing me from fully appreciating what he feels as a parent to know that Haddie is having sex. Then, there’s the craziness with Amber which just seems so strange – in a train-wreck sort of way. Lauren Graham didn’t have as much to do in this episode as I would have liked but she handled those two confrontations with Amber brilliantly. I’m sceptical about where they plan on taking Sarah’s play and what’s going to happen with Crosby and Jasmine – and I’m still waiting for Sam Jaegar and Erika Christensen to get a good storyline before the season ends. Good actors deserve better storylines.
[B/B-]

The Good Wife: “Foreign Affairs”
I do wonder if, with the loss of her campaign, if Wendy Scott Carr (i.e. the excellent Anika Noni Rose) will return to The Good Wife. This episode was a fairly good one – excellent on some fronts, but only competent on others. The albatross of the episode, sort of, was incidentally the main case which had Will and Diane defending Hugo Chavez. It was just a bit too ridiculous to be taken in honest, even if it saw the return of that “in-my-opinion” hilarious presiding judge. Everything else was good, though. Those bits with Natalie and Eli were lovely, America and Alan make for such an odd coupling but it works, nonetheless. On that note of good coupling, Czuchry and Panjabi’s chemistry continues to be one of the best things on the show – and it is interesting seeing Kalinda asked for favours this time around. Of course, it all comes down to this final few moments and props to Margulies for selling that silent reaction to the uncovering of that bit of information. Naturally, they leave us with this cliff-hanger and then go on a hiatus – well played.
[B+]

Modern Family: “The Musical Man”
This episode seemed, sort of, like a throwback to 90s sitcoms. Everything that happens depends on a significant amount of happenstance and chance. It’s not particularly inspired, but it’s funny enough and as obvious as Phil’s ads turned out to be it was hilarious seeing Claire deal with it in her typical silly fashion. The most interesting arc was the Cam debacle and the school play. He got the best storyline, but it seemed to slight – every scene with him was golden. I especially loved how he was proud of “Sondheim-izing” the middle-school children, just golden. I didn’t much care for the storyline with Jay, though the resolution was sweet in its schmaltzy way. Not perfect, but more than just competent.
[B/B+]


Community: “Competitive Wine Tasting”

 

It’s a generally fair episode, I can’t say I care much for the A plot of Pierce, and I do wish that Annie would get a significant arc but the episode was generally consistent with some bits of humour. The Troy/Britta pairing will always be strange for me, but Glover and Jacobs work well together and that final scene between them was well played. I have to admit, the biggest laughs came from Abed and his course on “Who’s the Boss” which was so ridiculous, but also quite hilarious. Not exceptional, but a fine episode.
[B]

The Office: “Training Day”

Carrell’s swan song begins, and Ferrell turns up to a fine job as a guest. Overall the episode doesn’t quite pack a punch as you’d expect; instead, the good things from random moments. Of course, the opening gag between D’Angelo and Michael was well done but it was things like Kelly’s “Meet-Cute” or Erin trying to adapt to the new way of answering the phone or even Darryl’s ridiculous embarrassment at impressing D’Angelo that really made the episode work for me. It’s great to see that they’re handling Michael’s departure with such sincerity.
[B/B+]

Parks & Recreation: “Fancy Party”

I spent the first five minutes laughing at the ridiculous opening gag of Ron faking pulling his teeth to maintain the semblance of being able to withstand. It’s so ridiculous in itself, but it was the reaction that was golden which is sort of like this episode. Andy getting married to April is crazy, but it was the reactions at their fancy party that made it more treasured. Leslie turning into the voice of reason (just look at now, and compare it to season 1) is inspired and I do like how her relationship with Ben just keeps going slowly. Ann and Donna are always a welcome pairing, even if I worry that they writers don’t quite know how to use Ann adequately. A very solid episode, though.
[B+]

30 Rock: “I Heart Connecticut”
The episode was not brilliant, but it was consistently hilarious despite the presence of a few glitches. And, for that, I’m grateful. The main arc was Kenneth and Liz searching for Tracy, and I’d just like to mention that despite my inherent loathing of Tracy Jordan of TGS his appearance at the end was hilarious – from the portmanteau of their names “Clement” to his confusion between ketchup and mustard it made me realise how Tracy – when tempered – could be successful. Of course, though, the most interesting arc was the unholy alliance between Jenna and Jack which was perfectly played. I’m always ready for more digging in Jenna’s messed up psychological inclinations and even though it wasn’t an A plot for her it was enough. Everything else felt essentially extraneous – but it was good enough.
[B/B+]

Standout Performances
Edie Falco in Nurse Jackie B+/A-
Julianna Margulies in The Good Wife: B+/A-
Toni Collette in United States of Tara: B+/A-
Jane Krakowski in 30 Rock: B+
Chris Pratt in Parks & Recreation: B+

Brie Larson in United States of Tara: B+
Alan Cumming in The Good Wife: B+
Amy Poehler in Parks & Recreation: B+
Meritt Wever in Nurse Jackie: B+
Rosemarie DeWitt in United States of Tara: B+
Eric Stonestreet in Modern Family: B+
Lauren Graham in Parenthood: B/B+
                    
What did you watch this past week?

TV Week in Review: 27th March-3rd April (and leftovers from last week)

It’s been a fairly good week, a few episodes that are quite good but a TON of brilliant performance which always makes me glad. I’ve got some left over comedies from last week that were worthy of note, somewhat, so here goes.

     

Modern Family: “Boys' Night”

Only now caught up on the latest episode of Modern Family, and it’s fairly solid but nothing special for me. It’s a series of interesting arcs, but they don’t pack as much as a punch as I’d hope though it gives Mitchell a nice chance to get some actual character development done. Seeing Jay “bond” with the guys is hilarious and that entire sequence is funny, even if the “resolution” is a bit too on the nose from the Gloria. It’s the same way that Luke’s new friend turns into a not-so-grumpy old man. It’s sweet, but a bit saccharine at times. But, that closing was a killer. Nice to see the very funny Reid Ewing back as Haley’s boyfriend and I love those moments where characters you don’t usually see together bond – like her and Cam.

[B/B+]

Community: “Critical Film Studies”

Another stellar episode from the Community crew. Jeff’s been so bland as a character lately so I like that he has this episode that serves as an interesting delve into his characters which has Danny Pudi (who was formerly my favourite supporting player) doing fine work. The one-sided commiseration of Cougar Town (which I miss terribly) was hilarious. I admit, at first the machinations of the group weren’t working for me, I was antsy for more Jeff and Abed – and then Troy went berserk, Abed went sane (which is actually berserk) and the episode ends with a brilliant close. Good stuff.

[B+]

  

30 Rock: “Plan B”

Well, Tracy’s coming back. Yay. If you know me, you know I’m less enthused about this and it’s a bit of a limp episode for me – the main arc, at least. Will Arnett’s return is fine and he does some good stuff upset Jack, but otherwise feels especially filler-esque. Tina is being a trooper, and she does try but it ends up feeling a bit too full of gags and without real hooks.

[ B-]

       

Nurse Jackie : “Game On”

As much as I’ll continue to admire the steps that Nurse Jackie makes in terms of taking the half hour-serial to a higher level, I’ll never understand why it’s considered to be a comedy. Its return is a case-in-point – a fine episode, a great way to return but one that thrives so brilliantly on the dramatic beats. Falco is in her usual good form and the rapport among the supporting cast is strong as usual. The second half doesn’t pack as strong a punch as the first, but it’s ultimately a top-notch return even though, nothing much really happens which is something I like about the show, usually – it always does take it slowly. Still, four minutes of recapping what happened last was a bit too much.

[B+]

        

United States of Tara: “...youwillnotwin...”

It’s not the same with United States of Tara, there’s a host of plot development but the episode isn’t brilliant – although it is a good episode. Tara’s return to college will be interesting to watch, and Collette shines in little moments like that meeting with the professor. As per normal, though, it’s Rosemarie DeWitt I’m more interested and she’s in fine form as usual even if [ ] is still ridiculous. There’s not an excess of focus on the children but both shines in their little moments – Larson is especially on-point in a funny interview scene. It’s the ending that strikes the strongest chord – a nice moment of “unity”.

[B+/B]

Parenthood: “Taking the Leap”

It’s an episode of good and not-so-good. Julia and Joel were the highlight of the episode, even if they still don’t get the A storyline (which is exasperating). That closing scene with the two is so brilliantly played, and I wish they’d given Christensen more to do to bring it home. Still, the two remain as the show’s most authentic pairing. Mae Whitman, too, is especially good this episode and I love that her college searching doesn’t turn into something too fanciful. The Crosby/Jasmine arc is become really awkward, as is the one with Adam/Kristina. I’m not sure how Sarah story is going to pan out, it could go either way – but I was hoping that Jason Ritter would return. I’m still waiting.

[B/B-]

The Good Wife: “Killer Song”

I recently caught up to speed on this show, but I wasn't sure if I'd watch this week episode...then I saw it open with Archie Panjabi (who easily wins for series MVP for me) so I continued watching. Julianna Marguiles aside – I just can’t love her - The Good Wife succeeds because it’s more serial in nature than every other CBS procedural. There’s a striking sense of continuity and the acting is excellent. America Ferrera’s guest turn this episode is well executed, and the court scenes continue to have that zing that used to mark the original Law & Order and its peak. And of course the focus on Kalinda is much appreciated by me, though it’s worrying what will happen when Alicia finds out. To get ethical, though, so the guilty man gets 30 years in an institution for one murder where he gets “mentally better”. I can’t help but feel he shouldn’t be tried for another murder he may not have been found guilty of before. Am I alone?

[B+/A-]

Grey’s Anatomy: “The Song Beneath the Song”

I didn’t even get wind that there was going to be a musical episode of the show until Wednesday – which goes to show that I should probably start paying attention to previews. Well, I love Sara Ramirez – I continuously play her numbers from “Spamalot” so it’s nice to see her work with those pipes – but the episode isn’t quite spectacular. It’s biggest issues is too much singing, so the episode ends up being obstructed and buttressed by the musical numbers, for the most part. Only Sara (and Wilson to some extent) ends up making the song work as a “acting” exercises and not just good singing. It’s an interesting plot, so I almost wish there wasn’t any singing so we could have seen more of Capshaw and Dane doing fine work – the latter of who I never thought had it in him.

[B]

Private Practice: “The Hardest Part”

It’s another fairly good episode of Private Practice sorely lacking in Audra and Addison. It sort of functions as the episode that should be Tim Daly’s calling card, but I find him terribly bland of an actor. So, the episode ends up getting its goodness from the guests mostly – the best of which is the piano prodigy who offers up an interesting arc. Nothing significant happens, but this episode makes me think that whenever Audra does leave the show for good (sigh) Kadee Strickland will be my MVP – she’s just so good, even in her small scenes.

[B-]

       

Standout Writing

Nurse Jackie: A-

The Good Wife: A-

United States of Tara: B+

Standout Performances

Rosemarie DeWitt in United States of Tara A

Edie Falco in Nurse Jackie A-

Archie Panjabi in The Good Wife B+/A-

Toni Collette in United States of Tara B+

Joel McHale in Community B+

Alan Cummings in The Good Wife B+

Jesse Tyler Ferguson in Modern Family B+

Sara Ramirez in Grey's Anatomy B/B+
Sam Jaegar in Parenthood B/B+

Peter Facinelli in Nurse Jackie B/B+

Brie Larson in United States of Tara B/B+

        

What did you watch this past week on TV – new HBO premieres? ABC Thursday? Joe Reid’s tweeting (he’s hilarious) made me tune in for Idol this week, but I’m really disinterested in the shown and couldn’t care to recap...should I tune in again next week?

Random Acts of Television: Big Love, Private Practice, The Office, Community and Parks&Rec

I’ve been sort of splotchy in my TV viewing lately, and even worse with the reviewing but I just have to single out a few recent episodes....(even though I'm way behind...I'll catch up soon, maybe)

      

I’ve been on and off in my Private Practice viewing, though I’m finally up to speed, sort of. I’m currently one episode behind – most recently seeing Addison’s return and the threat of Naomi’s departure. I feel like a Judas because even though I adore Audra McDonald I hope for her to leave the show so I can have another cast recording with her lovely voice on it. I sort of hope she’s not gone for good. Watching Walsh and McDonald will always be fine, and even the episode does not sizzle it retains that placid coolness that marks the show – sometimes better than Grey’s Anatomy in its interest in characters (which I still have to catch up on).

Episode: “Love and Lies” (Mar. 17) [B/B+]

        

I’m even behind on Thursday comedy which I think is awful, and boy oh boy Community is continuing its awesome string of good episodes which makes me so happy. It’s nice when shows return to form. Oddly, Annie wasn’t a big part of this episode – Britta sort of went front and centre and Senor Chang and yet it worked. Crazily, ridiculously but most importantly HILARIOUSLY. Gillian so often gets terrible material to work with, but seeing her and Abed and Troy having a friendship is nice and that final bit with them all and their “gadgets” was fun. So what if I’m way behind.

Episode: “Custody Law and Eastern European Diplomacy” (Mar. 17) [B+]

And Parks & Recreation returns from the fun of the Harvest Festival to go camping to find some more great ideas. Perfectly sequenced, excellent ideas to ensure everyone gets a chance and then Ron saving the day by making sure Leslie gets to was just absolute genius. But, it was The Office that still has me smiling back. It’s such a perfect way for Michael, the hopeless romantic, to leave the show. Carrell and Ryan are just perfect together and the entire episode is a piece of brilliant, it’s possibly my favourite episode of what’s surprisingly turned out to be a great season.

Episode: “Camping Trip” (Mar 24) [A-]

Episode: “Garage Sale” (Mar 24) [A]

But the real reason for this post is Big Love. Perhaps, later, when I have the time to give them the farewell they deserve, but I do know the writers offered up an episode worthy of our love. The writer was beautifully placid like the best of episodes, but it was the superb direction – the circle coming to an end, the actors being so cohesive everything emerging so smoothly that was most impressed. I’ll admit, I did shed a tear at that closing – not just for the characters, or even the show but the fact that a trio of strong females might never get such great roles again, or worse, not even get recognised for the great work they’ve put in. An kudos to Paxton, for doing fine work in his curtain call.

SERIES FINALE: A, Season Grade: A-

Standout Writing

The Office A+

Parks & Recreation A

Big Love A-

Standout Performances

Bill Paxton in Big Love: A

Steve Carrell in The Office: A

Amy Poehler in Parks & Recreation: B+/A-

Chloe Sevigny in Big Love: B+/A-

Jeanne Tripplehorn in Big Love: B+/A-

Audra McDonald in Private Practice: B+

            

Did any of those episodes stand out for you?

TV Week in Review: 20th – 24th February

So, I went sort of wild with the reviewing this week. I don’t usually review all the shows I watch – laziness, and I still didn’t but twelve paragraphs is a lot for a lazy old me. There were some poor ones, but the good ones were excellent (I'm one week behind on Brothers & Sisters, I know)

           
Desperate Housewives: “Farewell Letter”

It’s so weird that one of the two pressing issues of the episode gets dovetailed into a sort of silly plot point – Keith is leaving. This is a shame actually, because I did love Brian Austin Green opposite Bree, maybe he’ll turn up again. Who knows? You’d think that they’d make this more important, but alas no. Keith’s child is in Florida, Bree refuses to moves and urges him to do so without her, because you can fall in and out of love with people but never with your children. It’s so weird that Bree, of all people, hasn’t fallen out of love with her children – they used to be absolute demons (and on that note, I miss Shawn Pyfrom). The only genuinely good storyline was Paul Young’s drama. I for one am happy to see Cody Kasch back (one of the reasons for the epic brilliance of season one) – and he looks so old and non-creepy now. The final blowout between Paul and Zack, and then Beth and Paul were both well played which makes me wonder how interesting a show a spinoff about Paul would have been since Cherry keeps reverting to the same old storylines with the actual main characters of the show (robbing them of much significance). You have to wonder where Beth is going to go now. It’ll be sad to see Emily Bergl leave the show (she’s turned into such an asset), but she probably won’t officially leave until the end of the season. I wonder if she’ll team up with her insane mother again...that could be interesting...

[C+]
           
Brothers & Sisters: “The One That Got Away”

Balthazar Getty is not my favourite actor on the show, but I didn’t realise how much I missed him until now. True, he doesn’t get the A storyline here, but watching him interact with the cast (especially Griffiths) makes me remember why I used to love this show, way back when. It’s not perfect this episode, but it is interesting. I’m still vaguely annoyed at how redundant a character Justin has turned into, and the presence of Giles Marini continues to exasperate me. It seems like such a colossal waste having Anable’s sole contribution of the episode be ways to help Giles be romantic. Ugh. Still, the A-plot of Sarah’s paternity, though a little too deliberate, does work well – even if I miss Kitty. I wasn’t as sold on the issues of Saul and Jonathan, but it’s not as cringe worthy as you could expect. What’s more, the second half of the episode gets better and makes good on what could have been turgid storylines for the most part.

[B]

Big Love: “D.I.V.O.R.C.E”

Let me just say, power to Chloe Sevigny for churning out a brilliant performance this episode. Sure, it was more of a sidelining supporting than a co-lead – but I can’t complain, and the episode was something good, too. With only four episodes to go, I really have no idea where the show is going to go – and I have this awful feeling that somebody’s going to end up dead. Ugh, me and my active imagination. Bill and Barb are drifting further and further apart, and it’s a bit unfortunate because you can understand where both parties are coming from. That final scene with the wives, Bill, Barb’s mom and the "lesbian" (too funny) was something special and a perfect close to the episode (and Jeanne, too, offers up a fine performance this episode). I’ll admit that I don’t like the idea of Cara Lynn falling for her teacher or Ben falling for Rhonda – both of those liaisons just seem weird, in addition to be being all wrong. Nicki was responsible for the best moments, though. Watching her trying to understand Cara Lynn’s math was a beautiful moment and that blow-up with Barb and Bill about the “finances” was well played. There again, you get where Barb is coming from, but it’s difficult not to feel a little badly for Nicki. I don’t want this season (and thus, the show) to end. I’m going to miss these characters.

[B+/A-]
            
Glee” “Blame it on the Alcohol”

I don’t know what it is, definitively – was I so worried about Glee tackling alcoholism that my low expectations turned the episode into even more of a delight? I’d hate to think so, but either way this is easily the best episode of the back half of Season Two – and for the oddest of reasons. There was a surprising lack of pretentiousness in the way that they decided to let the students go full out drunk which made the inevitable moral at the end a whole lot less preachy than you’d have expected. Brennan doesn’t get enough praise for his writing credits, and it’s impressive how the arcs all coalesce. Sue goading Will into drunkenness isn’t exactly inspired – but Sue publicly humiliating him was priceless. Not because I don’t love Will (sorry, Ryan, I do) but because Jane is the queen of deadpan humour – and Becky Johnson is awesome. Then, there’s Rachel who was all around great in this episode: from the headband, to the bantering with Puck and then the Blaine issue. Each time I think I’ll let up on Kurt he pulls something ridiculous, case in point: this episode where his melodrama is evident twice. Even though the ending was a bit too pat, Blaine’s conversation with him was a smart move in highlighting hypocrisy, though I’m not sure if they get how hypocritical he was being towards his dad – who’s just trying to do what any sane parent would do (avoid their teenager having drunken sex). I’m neither here nor there on the ultimate payoff – it’s a bit too pat having the issue raised turn into a non-entity, which left a vaguely bitter taste in my mouth. Still, who knew “Blame it on the Alcohol” could make for a great group number?

[B+/A-]
      

Parenthood: “Never Sleep With Your Autistic Nephew's Therapist”

Oh, Crosby just stepped in it – did he not? The thing is, I’m not his biggest fan but I feel he’s getting the short end of the stick, especially in relation to Adam who’s even more judgemental than Kristina with the issue. We get that he’s worried about Max, but it’s a bit unfortunate that Crosby will be getting 0 supporting from his older brother. I love everything about Sydney, Julia and Joel (even if I miss them having an actual A plot) so Sydney’s vegetarian stint was fun to watch. More important, though, watching Connie and Zeek bond was just great. Again, I say Bedelia is such a great actor who makes do with her minuscule amount of screen times. I love the Amber and Drew sibling pairing, so their issues were well received and I’m so glad that Sarah actually stepped up in the parenting department. I don’t feel as if Amber should feel badly for laying into Seth, but I guess you have to choose your battles. I don’t know how Max will react to having Asperser’s and I don’t know what will happen with Jasmine and Crosby (hopefully, they don’t breakup) – but it’s a more than solid episode.

[B+]


Modern Family: “Regrets Only”

I’m not sure if I prefer this episode to last week’s but it easily wins points for being excellently written. We get three converging storylines which actually do justice to each of the main relationships in the show. It’s all fuelled by Claire and Phil’s marital issues which are just hilarious without being contrived. I really do love watching Ty and Julie opposite each other – easily one of TV’s best married couples. This interacts with Gloria and Jay and Cam and Mitchell, both of them having issues with communication. Stonestreet doesn’t exactly wow me (he’s #6 of the six principals) and he doesn’t exactly shine in this episode – but it’s so much fun watching him mug the camera especially in Cam’s interactions with Luke. Gloria shows up for a few moments to be absolutely ridiculous, and what’s more the children are shirked in this episode. Watching the Dunphy girls be silly is always appreciated and we still manage great random moments like Claire getting her massage at the mall or Luke’s stupidity. The second half of season two is looking much better than the first half.

[A/A-]
     
Community: “Into to Political Science”

I wasn’t crazy enough to think that Community was going to offer up another near perfect episode like last week’s instalment – and they didn’t. But, I wouldn’t call it regression. It’s not a brilliant episode, but it’s infinitely better than the first half of the season – though some of the gags don’t soar as well. They’re back to their on-the-nose yarns and Jeff and Annie getting into a political battle is nice to watch, even if wrapping it up with Jeff’s audition for “The Real World” didn’t impress as much as I think it was supposed to. The other significant arc was a dual one: Troy trying to come to grips – somewhat – with Abed’s “faux” life and Abed and the secret agent. The Troy stuff delivers; the other portion? Not so much. Glover and Pudi are great together, but the secret service is just a little too pat – even if the closing gag was a beaut.

[B]

The Office: “Todd Packer”

The main arc of Packer’s return fell flat, the suplot of Pam and Andy and Jim and Dwight were both brilliant. We’re preparing for Michael’s departure and this episode felt way too much like a filler episode. Yes, Amy Ryan continues to be one of the shining stars in the show (oh lord, PLEASE let get that Emmy nod). It sucks, in a way, that Jenna Fischer hasn’t gotten much material this season but she’s working with what she has and I especially loved the closing with her and Darryl – she’s so much fun when given the chance. See how little I have to say about the episode? Not bad, but unsubstantial.

[B-]

Parks & Recreation: “Indianapolis”

Dear Parks & Recreation Department: why are you so continually brilliant? In some ways this episode shouldn’t turn out so great because the set-up seems decidedly mundane even for the Parks&Rec crew, but it ends up being so delightfully sanguine and irresistible only reaffirming the notion that this is the best comedy on television at the moment. I love how subtle the entire arc about Ben finding friends in the department was delivered, all the while underscored by Tom and his ridiculous ambitions. I’m really not that invested in Andy and April, but their “first date” was excellent – going around trying to get free stuff. And the fact that it ended with them giving all the money away was just perfect. Then, there’s Ron and his beloved steak – a plotpoint that Nick Offerman sold time and time again, and of course Ann and her breakup with Chris (which I hope is temporary). And then it wraps up with a montage of Leslie giving us some of the worse ways to get dumped which mirrors Poehler’s brilliant comedic timing from “The Hunting Trip” last season. Why, oh why, is this show so great?

[A/A-]
         
30 Rock: “TGS Hates Women”

This episode is a trick one, it’s coming off a couple of top-notch episodes and there’s a moment at the end with the big reveal with the new writer on TGS that’s ridiculous – and not in the usual good way, but then there are some great things too. The issues with TGS hating women are far from riveting, but to an extent it works, especially when you remember how brilliant Krakowski and Fey are opposite each other – when given the chance. Moretz and Baldwin seemed to be a tad too trite, until that showdown at the end which we sort of should have seen coming – and it sets itself up for something good. It’s sort of uneven in the way it delivers on the jokes – but it’s a fair episode, and I’ll take it.

[B/B+]

Grey’s Anatomy: “Not Responsible”
There’s plot development, but the episode feels far from earnest. I surely don’t mind having Loretta Devine back, and Meredith dealing with her eyesight is interesting – if vaguely silly. The fact that I have to think so heavily for an episode I saw so recently probably means that it didn’t have that much to offer. It was an episode of moments, though. Watching Mark, Owen and Derek playing golf on the rooftop was brilliant. Seeing Bailey getting through to the Chief about his wife? Perfect. Everything involving Alex, Cristina and Meredith (together and separate) was so evocative of early seasons. I’m not sure I care for April and Dr. Stark, and though I hate that Arizona and Callie keep having these roadblocks that’s an arc worth looking into. Jackson and Lexie? I don’t care for them. But eh, it’s fine.
[B-]

Private Practice: “Two Steps Back”
It’s so weird having episodes of the show without Addison, but it’s a generally solid effort all round. Liza Weil (of Gilmore Girls’ fame) appears as a patient who may or may not have dissociative disorder. It’s an interesting arc in itself, even if the payoff seems a bit obvious from a mile away it actually manages to work. This arc develops against three others – Sam and Naomi working with a mother who’s teenager daughter with Downs’ may or may not be pregnant, Cooper and Charlotte in therapy and Violet’s (apparently slanderous) novel-to-be. I’m all for any arc with Audra, and though it’s not exactly a piece-de-resistance, it’s an interesting dilemma and one that’s handled with more realism than you’d expect. Cooper and Charlotte have problems that seem rote, but actually end up interestingly and even if Violet’s dilemma is silly it does lead to some nice moments with the entire group (sans Addison) playing off each other – which are always some of the best parts of the show.
[B/B+]
         
Interesting Things

• Honestly, why are Lynette’s children so retarded (excuse the political incorrectness)? It’s borderline ridiculous, and not even in a funny way. Absolutely weird.
• Why does Alby have to be so creepy? Is it the hair? And that kiss between he and Verlan – good lord, that was sort of disturbing – no?
• I swear, every time Gloria and Phil have scenes together I die inside. Vergara and Burrell are so fun together.
• Who didn’t the reveal with Chris and the pink razor coming a mile away? I loved Lowe’s line-reading of “I’m human. I have blemishes.”
• More than ever, this week I really felt like Audra and Taye were going to break into song on the balcony. Oy.
• Don’t Mae Whitman and Lauren Graham show their emotion (with reference to physicality) in the same way? They’re such a good mother/daughter pair.

          
Standout Writing
Modern Family: A/A-
Parks & Recreation: A-
Big Love: A-
Glee: B+
         
Standout Performances
Julie Bowen in Modern Family: A
Chloe Sevigny in Big Love: A-
Nick Offerman in Parks & Recreation: A-
Lea Michele in Glee: B+/A-
Adam Scott in Parks & Recreation B+/A-
Jane Krakowski in 30 Rock: B+
Amy Poehler in Parks & Recreation: B+
Jeanne Tripplehorn in Big Love: B+

                     

What stood out this past week in TV for you?